{"id":1913,"date":"2020-07-17T16:47:30","date_gmt":"2020-07-17T20:47:30","guid":{"rendered":"http:\/\/cymbalum-mundi.com\/?page_id=1913"},"modified":"2020-07-17T16:47:30","modified_gmt":"2020-07-17T20:47:30","slug":"the-book","status":"publish","type":"page","link":"https:\/\/cymbalum-mundi.com\/en\/the-book\/","title":{"rendered":"The Book"},"content":{"rendered":"
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LE LIVRE<\/h2>\n

D<\/span>eux \u00e9ditions du Cymbalum mundi<\/em> sont parues au 16e<\/sup> si\u00e8cle… avant que le livre soit supprim\u00e9 \u00e0 la suite des proc\u00e9dures initi\u00e9es par l’intervention du roi Fran\u00e7ois Ier<\/sup>\u00a0:<\/p>\n

 <\/p>\n

Anonyme.\u00a0Cymbalum mundi en fran\u00e7oys, Contenant quatre Dialogues Poetiques, fort antiques, ioyeux, & facetieux<\/em>, Paris, Jean Morin, 1537.<\/strong><\/p>\n

\"Cymbalum<\/p>\n

Un seul exemplaire de cette \u00e9dition parisienne a surv\u00e9cu. Il est conserv\u00e9 pr\u00e9cieusement dans le Fonds Goujet \u00e0 la Biblioth\u00e8que municipale de Versailles<\/a>. On peut trouver une \u00e9dition encod\u00e9e<\/a> par nos soins de cette \u00e9dition dans la base Epistemon des Biblioth\u00e8ques virtuelles humanistes \u00e0 l’Universit\u00e9 de Tours, et il existe \u00e9galement un fac-simil\u00e9 imprim\u00e9 r\u00e9alis\u00e9 en 1914 par Pierre-Paul Plan qui a \u00e9t\u00e9 num\u00e9ris\u00e9 dans Gallica<\/a>.<\/p>\n

L’histoire de cet exemplaire demeure myst\u00e9rieuse. On n’en trouve aucune trace entre la suppression du livre par la censure en 1538 et le d\u00e9but du 18e<\/sup> si\u00e8cle, alors qu’il r\u00e9appara\u00eet soudainement (entre 1711 et 1732).\u00a0\u00a0On a parfois cru que cet exemplaire unique au monde avait \u00e9t\u00e9 reconstitu\u00e9 \u00e0 partir de deux exemplaires distincts parce qu’il comporte deux pages de titre grav\u00e9es (dont une, la deuxi\u00e8me, est coll\u00e9e sur une autre page) et parce que la derni\u00e8re page est compos\u00e9e de deux parties de pages coll\u00e9es sur un feuillet blanc plus r\u00e9cent.<\/p>\n

\"\"
\nLa derni\u00e8re page du texte de l’unicum de Versailles
\n<\/span><\/p>\n

Mais les recherches <\/span>\u00a0ont permis d’\u00e9carter cette hypoth\u00e8se du fait notamment que le premier frontispice est en fait un fac-simil\u00e9 (fabriqu\u00e9 sans doute vers 1873), tandis que l’\u00e9tat de la derni\u00e8re page s’expliquerait par une restauration. Que les premi\u00e8re et derni\u00e8re pages aient pu \u00eatre ab\u00eem\u00e9es pourrait s’expliquer par le fait qu’il s’agissait de l’exemplaire qui a servi dans la proc\u00e9dure de censure du Parlement de Paris, exemplaire qui serait rest\u00e9 dans un sac de pi\u00e8ces jusqu’\u00e0 la parution de l’\u00e9dition de 1711. On sait en effet que cette derni\u00e8re \u00e9dition a \u00e9t\u00e9 faite par Prosper Marchand \u00e0 partir du texte de l’\u00e9dition lyonnaise de 1538, alors que l’\u00e9dition de 1732 du m\u00eame Marchand a \u00e9t\u00e9 faite cette fois \u00e0 partir de l’\u00e9dition parisienne de 1537 qui semble donc \u00eatre revenue \u00e0 la surface entre-temps. Quelqu’un aurait-il \u00e9t\u00e9 motiv\u00e9 \u00e0 aller chercher l’exemplaire de la premi\u00e8re \u00e9dition (\u00e0 la Conciergerie de Paris?) apr\u00e8s la publication du Cymbalum<\/em> en 1711?<\/p>\n

Le plus ancien possesseur connu de cet exemplaire est l’abb\u00e9 d’Orl\u00e9ans de Rothelin. Il serait ensuite pass\u00e9 dans les mains de l’\u00e9rudit Claude Gros de Boze, puis du duc de La Valli\u00e8re (qui l’aurait achet\u00e9 \u00e0 la vente de M. Gaignat), avant d’aboutir dans la collection priv\u00e9e du roi Louis XVI. Apr\u00e8s la R\u00e9volution, le livre se retrouvera dans un des d\u00e9p\u00f4ts litt\u00e9raires de livres saisis (le d\u00e9p\u00f4t C o\u00f9 le Cymbalum Mundi<\/em>\u00a0est r\u00e9f\u00e9renc\u00e9 au num\u00e9ro 1772). C’est ainsi que cet exemplaire unique du Cymbalum mundi<\/em> se serait retrouv\u00e9 dans le Fonds Goujet (qui contient en fait peu de livres de l’abb\u00e9 Goujet) de la Biblioth\u00e8que municipale de Versailles.<\/p>\n

NOTE: On trouve aussi une copie manuscrite de la supplique du libraire Jean Morin (alors emprisonn\u00e9) sur les pages de garde \u00e0 l’arri\u00e8re de cet exemplaire (voir la section Censure<\/a> pour en apprendre plus sur cette lettre de Morin).<\/p>\n

 <\/p>\n

Anonyme.\u00a0Cymbalum mundi en fran\u00e7oys contenant quatre Dialogues Poetiques, fort antiques, ioeux (sic) & fac\u00e9tieux<\/em>,\u00a0Lyon, Benoist Bonnyn, 1538.<\/strong><\/p>\n

\"Cymbalum<\/p>\n

Deux exemplaires de cette \u00e9dition lyonnaise de 1538 se sont rendus jusqu’\u00e0 nous\u00a0: le premier (ici repr\u00e9sent\u00e9) est conserv\u00e9 \u00e0 la R\u00e9serve de la Biblioth\u00e8que nationale de France (et peut-\u00eatre consult\u00e9 en fac-simil\u00e9 num\u00e9rique dans Gallica<\/a>), tandis que le second se trouve \u00e0 la biblioth\u00e8que du Mus\u00e9e Cond\u00e9 au Ch\u00e2teau de Chantilly <\/a>et n’a pas encore \u00e9t\u00e9 num\u00e9ris\u00e9.<\/p>\n

Le texte de cette \u00e9dition lyonnaise comporte un certain nombre de variantes par rapport \u00e0 l’\u00e9dition de 1537, mais elles demeurent assez mineures dans l’ensemble. La principale diff\u00e9rence r\u00e9side dans la gravure de la page titre, qui repr\u00e9sente ici un po\u00e8te plut\u00f4t que la probit\u00e9 (m\u00eame si la maxime de Juv\u00e9nal sur la probit\u00e9 qui grelotte est tout de m\u00eame pr\u00e9sente sous l’image). Pr\u00e9cisons aussi que le texte est imprim\u00e9 avec des caract\u00e8res typographiques dits “b\u00e2tards” plut\u00f4t qu’en caract\u00e8res romains comme l’\u00e9dition parisienne. L’exemplaire de la BnF poss\u00e8de aussi des annotations manuscrites int\u00e9ressantes, dont deux sur la page couverture (de la main, semble-t-il, du m\u00e9morialiste Pierre de L’Estoile<\/a> ou encore de son fils) qui se lisent ainsi: “L’aucteur Bonaventure Des Periers, homme meschant et athee, comme il appert par ce detestable livre.” et “Telle vie, telle fin, aver\u00e9e par la mort de ce mis\u00e9rable indigne de porter le nom d\u2019homme.” Cette derni\u00e8re annotation fait apparemment r\u00e9f\u00e9rence \u00e0 la (vraisemblablement fausse) affirmation d’Henri Estienne selon laquelle Des P\u00e9riers se serait suicid\u00e9. L’exemplaire, tr\u00e8s bien conserv\u00e9, du mus\u00e9e Cond\u00e9 ne poss\u00e8de pas d’annotations, mais il a l’int\u00e9r\u00eat d’avoir appartenu, entre autres, \u00e0 l’\u00e9crivain Charles Nodier<\/a>\u00a0qui s’est passionn\u00e9 pour cet ouvrage et son auteur Bonaventure Des P\u00e9riers qu’il a plac\u00e9 place aux c\u00f4t\u00e9s de Rabelais et de Marot dans une \u00e9logieuse notice<\/a> o\u00f9 il le d\u00e9crit comme “le talent le plus na\u00eff, le plus original et le plus piquant de son \u00e9poque”.<\/p>\n

\"\"<\/p>\n

Charles Nodier (1780-1844) par Paulin Gu\u00e9rin<\/a>,
\nMus\u00e9e national du Ch\u00e2teau de Versailles<\/p>\n

Plusieurs \u00e9nigmes entourent la publication de ces deux \u00e9ditions. Pourquoi, par exemple, seul le libraire parisien, Jean Morin, a-t-il \u00e9t\u00e9 inqui\u00e9t\u00e9 par les autorit\u00e9s? Pourquoi l’\u00e9diteur lyonnais, Benoist Bonnyn, n’a-t-il pas \u00e9t\u00e9 inqui\u00e9t\u00e9? Pourquoi ce dernier aurait-il m\u00eame pris le risque de publier un livre qui faisait l’objet de telles d\u00e9marches judiciaires? Il n’existe pas de r\u00e9ponse certaine \u00e0 ces questions, et plusieurs hypoth\u00e8ses ont circul\u00e9 (et circulent toujours!). Voir notre section sur la censure<\/a> du livre pour en savoir plus \u00e0 ce sujet…<\/p>\n

 <\/p>\n

Et, pour plus de d\u00e9tails sur les exemplaires qui ont surv\u00e9cu \u00e0 la censure, voir notamment :
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B, B. Biblio<\/i>.<\/div>\n<\/div>\n\t\t\t\t<\/div>\t\t\t\t
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A, A. CM_02<\/i>.<\/div>\n<\/div>\n\t\t\t\t<\/div>\t\t\t\t
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The Shifting Sands of COVID and Our Uncertain Future Has a Name -- Liminality<\/i>. https:\/\/theconversation.com\/the-shifting-sands-of-covid-and-our-uncertain-future-has-a-name-liminality-166903<\/a>. Accessed 14 June 2023.<\/div>\n<\/div>\n\t\t\t\t<\/div>\t\t\t\t
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Vall\u00e9e, Jean-Fran\u00e7ois. \u201cLe livre utopique.\u201d M\u00e9moires du livre \/ Studies in Book Culture<\/i>, vol. 4, no. 2, 2013, https:\/\/doi.org\/10.7202\/1016737ar<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div>\t\t\t\t
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Le Cadet, Nicolas. \u201cFiction et p\u00e9dagogie du contre-exemple dans le Cymbalum Mundi\u00a0: la \u00ab\u00a0doctrine \u00e9vang\u00e9lique\u00a0\u00bb travestie par une humanit\u00e9 d\u00e9voy\u00e9e.\u201d L\u2019\u00c9vang\u00e9lisme fictionnel Les Livres rabelaisiens, le Cymbalum Mundi, L\u2019Heptam\u00e9ron (1532-1552)<\/i>, Classiques Garnier, 2011, pp. 337\u201360.<\/div>\n<\/div>\n\t\t\t\t<\/div>\t\t\t\t
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Vall\u00e9e, Jean-Fran\u00e7ois. \u201cLe \u2018dialogocentrisme\u2019 humaniste\u202f: de Utopia de Thomas More (1516) au Cymbalum mundi de Bonaventure des P\u00e9riers (1537).\u201d Les \u00c9tats du dialogue \u00e0 l\u2019\u00e2ge de l\u2019humanisme<\/i>, edited by Emmanuel Buron et al., Presses universitaires Fran\u00e7ois-Rabelais\u202f; Presses Universitaires de Rennes, 2015, pp. 131\u201344.<\/div>\n<\/div>\n\t\t\t\t<\/div><\/div>\n<\/div><\/div>\n\n\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css_animation=”slideInUp” css=”.vc_custom_1594995566633{margin-top: 30px !important;}”] LE LIVRE Deux \u00e9ditions du Cymbalum mundi sont parues au 16e si\u00e8cle… avant que le livre soit supprim\u00e9 \u00e0 la suite des proc\u00e9dures initi\u00e9es par l’intervention du roi Fran\u00e7ois Ier\u00a0:   Anonyme.\u00a0Cymbalum mundi en fran\u00e7oys, Contenant quatre Dialogues Poetiques, fort antiques, ioyeux, & facetieux, Paris, Jean Morin, 1537. Un seul…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1913","page","type-page","status-publish","hentry","entry","no-media"],"_links":{"self":[{"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/pages\/1913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/comments?post=1913"}],"version-history":[{"count":2,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/pages\/1913\/revisions"}],"predecessor-version":[{"id":1915,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/pages\/1913\/revisions\/1915"}],"wp:attachment":[{"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/media?parent=1913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/categories?post=1913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cymbalum-mundi.com\/en\/wp-json\/wp\/v2\/tags?post=1913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}